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Levi Szekeres

Drawings9

Paperworks

Paintings14

Oil on Canvas

Mixed Media9

Hybrid Works

Mindset and Process

© 2026      
Levi Szekeres 1996
Unplugged, back in 1996

In '96, after 10 years of studies in Art and Design, all had to be reset from manual to digital.

Over the years I went through every possible job that involved a mouse.

Theory

Art Context: Aesthetics, Figurative Anatomy, Critical Philosophy, Art History, Modern and Contemporary Art, Art and Craft as Concept, The Kitsch, Street Art and The Subculture Phenomenon, Graphic Design of the 20th Century.

Reverse Engineering: Methodologie d’analyse d’oeuvre, Secret Geometry of Layouts (Laws and Effects), Color Symbolism and Psychology, Ergonomy and Interior Design, Visual Communication and Design Language, Brand Strategy Terms and Marketing Basics, Tone of Voice, Behavioral Economics.

Traditional Technologies: Art and Technical Illustration, Analog Photography/Film Technology, Painting, Art Restoration and Conservation, Typography, Letterpress, Hand Lettering, Engraving, Carving and Printing Methods, Woodworking, Other Techniques.

Practice

Art: Drawings, Print Illustrations, Storyboards, Ceramic Decoration, Fine Art Restoration and Reproduction, Sign Painting, Engravings, Lithography, Screen Printing (Serigraphy), Collage, Painting, Art Mentoring and Guidance.

Branding and Advertising: Stock and Art Photography, Marketing and Advertising Design (Signage, Packaging, Prints, Social Media Graphics, Physical and Digital Publications), Branding (Analysis, Naming, Identity, Typography Systems, Guidelines, Brand Books, Environmental Design, Corporate Stationery and Collateral).

Graphic and Digital Design: Desktop Publishing and Prepress, Iconography, Typeface and Typography Design, Motion Graphics, Web Design - User Interface (UI) and UX Design (Flash, HTML, CSS, PHP, Javascript), Interactive Media, Experimental Projects.

Unfortunately, these days the digital design is suffocated with ready-made templates and AI (not Adobe Illustrator), leaving a limited space for creation.

So, back to manual gear. That simple.

Works

The selection is focused on specific details, rather than providing an overall view of favorite works. Instead of a "Greatest Hits" Portfolio or a Curriculum Vitae, consider this a display of random memories, a subjective and partial form of expression, where an emotional or conceptual connection is more important than any opinion.

The images are here to speak those "thousand words", personal phylosophies, mission statements and such, to avoid any fluff, standard and synthetic content, all the same (I proudly own the "lazy to write" attitude by turning it into an artistic choice, says AI).

Website

The contrast is deliberate, while the analog part is supposed to be slow, the website is built with speed in mind. The search, the keyword and keyboard navigation is designed to respect the user's time and intelligence. If art is all about style, side-effects and concept, the site has to be pure utility, simple and straight to the point.

The website does not address anyone under the age of 16 or who is easily offended, the content explores unfiltered, mature and sensitive themes for some, and may be considered R-rated. Not here to provoke or impress, this is a deeply personal space, as is.

Thank you for stopping by,
Levi

Everything is completely personal and individual, counting the support.

Services

The following guidelines apply to every posted product and order placed through the website or via email.
Products
  1. Images are posted without digital interventions, with all the happy accidents and signs of aging. Slight color variations may occur due to the wide range of digital devices and color calibrations.
  2. Each work is unique and considered intellectual property. The delivery doesn't imply a transfer of these rights, standard restrictions are still in effect.
  3. The content, including the terms, is subject to change without notice.
Commissions
  1. Details of commissioned works are set via email.
  2. The negotiation covers every technical and aesthetical aspect.
  3. Prices vary from €100 to €2,000 (for large works up to 100 cm / 40 in) and depends on the technique, materials, and complexity. The project starts once an initial fee is deposited.
  4. Reproductions of personal works are excluded.
Checkout
  1. Accounts are not required in the process, this website does not store private informations or handle payments.
  2. The user is redirected to checkout if the selected delivery is a valid option.
  3. The payment is processed securely and exclusively by PayPal, the account is optional and all major cards are accepted.
  4. Both parties receive a payment notification after the transaction.

Delivery

All orders are processed within 1 - 2 business days. The buyer receives an email with delivery details.
Specifications
  1. The transport rate includes the Fragile Fee, the Insurance for 1% of the declared value and the cost of the crate.
  2. Shipments vary depending on locations and the package size (see list below).
  3. Extra large packages (over 100 cm on the smallest side) need special treatments to ensure safe arrival. In this case €50 is added to the regular fee.
  4. Prices for Specialized Art Logistics start at €235 and must be organised prior to purchase. To arrange special deliveries please
  5. Local Taxes and Formal Customs Clearance are supported by the buyer.
Price List
  • #
  • Country
  • Region
  • Fee (€)
  • XL Fee
  • 01.
  • Argentina
  • South America
  • 40
  • 90
  • 02.
  • Australia
  • AustralAsia
  • 50
  • 100
  • 03.
  • Austria
  • EU
  • Free
  • 50
  • 04.
  • Belgium
  • EU
  • Free
  • 50
  • 05.
  • Brazil
  • South America
  • 40
  • 90
  • 06.
  • Bulgaria
  • EU
  • Free
  • 50
  • 07.
  • Canada
  • North America
  • 25
  • 75
  • 08.
  • Chile
  • South America
  • 40
  • 90
  • 09.
  • China
  • Asia
  • 35
  • 85
  • 10.
  • Colombia
  • South America
  • 40
  • 90
  • 11.
  • Croatia
  • EU
  • Free
  • 50
  • 12.
  • Cyprus
  • EU
  • Free
  • 50
  • 13.
  • Czechia
  • EU
  • Free
  • 50
  • 14.
  • Denmark
  • EU
  • Free
  • 50
  • 15.
  • Egypt
  • Africa
  • 45
  • 95
  • 16.
  • Estonia
  • EU
  • Free
  • 50
  • 17.
  • Finland
  • EU
  • Free
  • 50
  • 18.
  • France
  • EU
  • Free
  • 50
  • 19.
  • Germany
  • EU
  • Free
  • 50
  • 20.
  • Greece
  • EU
  • Free
  • 50
  • 21.
  • Hong Kong
  • Asia
  • 35
  • 85
  • 22.
  • Hungary
  • EU
  • Free
  • 50
  • 23.
  • Iceland
  • Non-EU Europe
  • 20
  • 70
  • 24.
  • India
  • Asia
  • 35
  • 85
  • 25.
  • Ireland
  • EU
  • Free
  • 50
  • 26.
  • Israel
  • Middle East
  • 30
  • 80
  • 27.
  • Italy
  • EU
  • Free
  • 50
  • 28.
  • Japan
  • Asia
  • 35
  • 85
  • 29.
  • Kenya
  • Africa
  • 45
  • 95
  • 30.
  • Latvia
  • EU
  • Free
  • 50
  • 31.
  • Liechtenstein
  • Non-EU Europe
  • 20
  • 70
  • 32.
  • Lithuania
  • EU
  • Free
  • 50
  • 33.
  • Luxembourg
  • EU
  • Free
  • 50
  • 34.
  • Malta
  • EU
  • Free
  • 50
  • 35.
  • Mexico
  • North America
  • 25
  • 75
  • 36.
  • Netherlands
  • EU
  • Free
  • 50
  • 37.
  • New Zealand
  • AustralAsia
  • 50
  • 100
  • 38.
  • Nigeria
  • Africa
  • 45
  • 95
  • 39.
  • Norway
  • Non-EU Europe
  • 20
  • 70
  • 40.
  • Poland
  • EU
  • Free
  • 50
  • 41.
  • Portugal
  • EU
  • Free
  • 50
  • 42.
  • Qatar
  • Middle East
  • 30
  • 80
  • 43.
  • Romania
  • EU
  • Free
  • 50
  • 44.
  • Saudi Arabia
  • Middle East
  • 30
  • 80
  • 45.
  • Singapore
  • Asia
  • 35
  • 85
  • 46.
  • Slovakia
  • EU
  • Free
  • 50
  • 47.
  • Slovenia
  • EU
  • Free
  • 50
  • 48.
  • South Africa
  • Africa
  • 45
  • 95
  • 49.
  • South Korea
  • Asia
  • 35
  • 85
  • 50.
  • Spain
  • EU
  • Free
  • 50
  • 51.
  • Sweden
  • EU
  • Free
  • 50
  • 52.
  • Switzerland
  • Non-EU Europe
  • 20
  • 70
  • 53.
  • Taiwan
  • Asia
  • 35
  • 85
  • 54.
  • Turkey
  • Middle East
  • 30
  • 80
  • 55.
  • United Arab Emirates
  • Middle East
  • 30
  • 80
  • 56.
  • United Kingdom
  • Non-EU Europe
  • 20
  • 70
  • 57.
  • United States
  • North America
  • 25
  • 75
  • 58.
  • Other Country
  • Rest Of World
  • 55
  • 105
Please note that surcharges may occur for deliveries to remote destinations.
Other Country is considered area difficult to reach due to local regulations.
Failure of delivery do not constitute a violation of liability between parts.
Packaging
  1. Works on paper below 300 GSM are rolled up and sent in a heavy-duty tube.
  2. Thick and fragile materials (cardboard, canvas, glass) are shipped flat in a reinforced box, placed between plywood panels, with their original chassis, if any. Most chassis include a protective/decorative wood trim, that can be used as minimal framing.
  3. A hand-signed Certificate of Authenticity is included in the package.

Support

Images posted on the website should not be the sole basis of your decisions to purchase a product without consulting more complete or more timely information, available at request.
Documentation
  1. Detailed and high-resolution images are provided on request. Damages and signs of wear are always pointed out. Variations in color, texture, or hand-made imperfections are part of the artistic process and do not constitute defects.
  2. To keep the product in optimal conditions, care and conservation recommendations are included in the documentation.
  3. The final packaging is documented for later reference.
Refunds
  1. The refund is made for undelivered or returned packages that are not damaged and were not opened. Otherwise, the purchase is final and non-refundable.
  2. Refunds are not offered for lost or broken items in transit.
  3. A return must be initiated within 30 days of receiving the product.
  4. The cost of return in case of free delivery is supported by the buyer.
  5. The website includes a limited number of works, offered on an "as available" basis. Similar products are subject to exchange only in extreme situations.
Information
  1. The developer of the website, the copyright owner and the author of its content is Levi (/'lɛvi/) SZEKERES, based in Cluj-Napoca, Romania.
  2. For any questions regarding the content, orders or further information please write to leviszekeres@gmail.com or

For questions or requests use the online form or write to leviszekeres@gmail.com

A reply should arrive within a few hours.


  

Please be aware that the inbox is set to filter certain emails that contains suspicious / malicious words and content, such as: asap, fast, hurry, quick, rush, urgent (speed related and explicit words, basically). Contact informations added voluntarily to online forms are never stored online, published or disclosed to third parties, and their administrative purpose is only to handle customer support. If you think that you submitted personal information to this website by mistake, you are strongly encouraged to get in touch immediately, to remove such informations. If a reply is not received within 1 business day, there must be a very good reason, a slight delay may occur due to time zone differences (local time UTC+03:00), technical problems or offline activities. Thank you for your time reading this, I appreciate your patience.

Online

www.loremipsum.ro
levi@loremipsum.ro
www.leviszekeres.ro
leviszekeres@gmail.com

Offline

Levi Szekeres
Gruia 58, C2/18
400171 Cluj-Napoca
Romania

Hotline

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Monday to Friday
From 9 AM to 5 PM
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Mindset and process, although some works might skip the mental phase.

Inspiration

My apologies for using such a cliché image speaking of creation, right at the beginning, but this specific image is a key element in the logic of development. Trust me.
Michelangelo - Creation of Adam
Michelangelo - The creation of Adam from the Sistine Chapel (1508 - 1512). First man, first image (proven by studies of a reclining male nude and sketches of forearms). The inspiration of inspiration, actually.
Raphael - The Judgment of Paris
Raphael - The Judgment of Paris, engraving by Marcantonio Raimondi (1520)

It is not known if Raphael was lazy or Raimondi had a tight deadline, but the figure of Adam by Michelangelo ends up in the composition (find Waldo).
Obviously, the engraving being pressed, the orientation of Adam is flipped from left to right.

Édouard Manet - Le Déjeuner sur l'herbe
Édouard Manet - Le Déjeuner sur l'herbe (1863)

Inspired by Renaissance masterpieces, for this work Manet borrows the group on the right from Raphael's The Judgment of Paris. Automatically, Michelangelo's Adam is included in the composition.
The inspiration for mood and clothes (mostly the lack of it) is based on Le Concert Champêtre by Titian. Only that social standards were a bit different after a few hundred years and the work is controversial for its time.

A relatively well-known image, an iconic work in the art world, famous mostly for being rejected by the Salon jury of 1863, later, in the same year being mocked at the Salon des Refusés. Now celebrated as one of the first modern art work.
For an art student this image is imprinted on the mind, much like a tattoo, something that never washes off. It is set to close proximity to Michelangelo's scene of creation.

Naturally, the work has inspired later artists to create personal interpretations, such as Claude Monet or Pablo Picasso (who's variations on the subject includes also sculptures), among others.
Once famous, explicit remakes of the composition was inevitable. The image was replicated, imitated and placed in every visual media, from print to movies, by various methods, using the same title as their inspiration. Below are just two results from a very quick search on the subject (the inspiration is still active for contemporary artists, no problem).

The New Jazz Orchestra - Le Déjeuner sur l'herbe, 1969
The New Jazz Orchestra (1969)
Alain Jaquet - Le Déjeuner sur l’herbe, 1970
Alain Jaquet (1970)

So far, nothing impressive, different techniques, same composition and level of clothes. The added value sometimes is either small or non-existent, and relies on a nostalgic mirror image of an already popular work.

Until one hits you in the most unexpected way.

The Source

Gridlock'd movie still
Movie still from Gridlock'd (1997), found in a magazine. Movie written and directed by Vondie Curtis-Hall, starring Tupac Shakur, Tim Roth and Thandiwe Newton, maybe you've seen it. It's about two heroin addicts trying to enter a government drug rehabilitation program (speaking of grass). A very underrated movie, if you ask me.

I can't tell if this is the merit of the director or the cinematographer, if it is a deliberate Easter egg or structural analogies made subconsciously, when I saw this image I could only think of Manet and his Déjeuner sur l'herbe, the perfect composition and concept, the triangle configurations that can be found in Leonardo's Virgin of the Rocks (Vergine delle Rocce), a secret geometry rare in real life or modern artworks. This is the moment when I know I have my "Déjeuner".

The Work

In short, I isolated the geometric alignment and elevated the movie still into a standalone work, a large-scale painting. My contribution is minimal, simply realizing the connection and creating the comeback to the classic context, after a long chain of inspirations. A contemporary update for "Le Déjeuner sur l'herbe", sans herbe.

The work title "Trio" is a reference to the composition rather than the number of characters.

Trio - oil on canvas
Trio - Oil on canvas (187 X 150 cm) after a movie frame from Gridlock'd (cinematographer Bill Pope), inspired by Édouard Manet - Le Déjeuner sur l'herbe, after an engraving by Marcantonio Raimondi, after Raphael's The Judgment of Paris, after Michelangelo - Creation of Adam.

The work was painted in 1997, scaled manually, using the traditional grid method, in case it's relevant. An example of a work in progress, using this technique is the "Grosse Economie" drawing.

You can probably notice elements, textures, colors and compositions present in other personal paintings, like the cushions in "Yves Saint Laurent", the drapes in "Gabriela Shaving Herself", the triangle in "Warning Top Model" or the mood in "Russian Soldier". These are just other reasons to like this image more.

To have an overall view of the process, here is a side-by-side comparison. A great way to see the similarities, but especially differences, because these are the ones that make this image unique.

Édouard Manet - Le Déjeuner sur l'herbe, 1863
The Inspiration
Trio - Oil on canvas
The Result
Article written without help from AI. Typos or misspellings are here to prove that.
Info based on personal education and research, double-checked across multiple sources.
Images courtesy of the Internet.

References

  1. Studies of a Reclining Male Nude.....................................................................................................................British Museum
  2. Michelangelo - The Creation of Adam.....................................................................................................................Wikipedia
  3. Raphael - The Judgment of Paris.....................................................................................................................Le Gallerie degli Uffizi
  4. Titian - Le Concert Champêtre.....................................................................................................................Louvre Collections
  5. Leonardo - The Virgin of the Rocks.....................................................................................................................The National Gallery
  6. Manet - Le Déjeuner sur l'herbe.....................................................................................................................Musée d'Orsay
  7. Picasso - Le Déjeuner sur l'herbe.....................................................................................................................Artsy
  8. Monet - Le Déjeuner sur l'herbe.....................................................................................................................Musée d'Orsay
  9. The New Jazz Orchestra - Album Cover.....................................................................................................................Eating Standing Bandcamp
  10. Alain Jaquet - Le Déjeuner sur l'herbe.....................................................................................................................Alain Jaquet
  11. Gridlock'd Movie Trailer.....................................................................................................................YouTube